MaryElaine Jenkins - Hold Still

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Filename: maryelaine-jenkins-hold-still.zip
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Review by wardiy anto

Hold Still, the latest album by MaryElaine Jenkins, is a captivating blend of folk and Americana that showcases her raw talent as a singer-songwriter. From the opening track "The Rooster" to the closing number "The Garden," the album is a journey through the heart and soul of Jenkins' musical world.

The album's title track, "Hold Still," is a standout with its haunting melody and poignant lyrics that speak to the challenges of navigating life's ups and downs. Jenkins' vocals are particularly striking on this track, conveying a sense of vulnerability and strength in equal measure.

Other highlights include "The Landing," a lush ballad that showcases Jenkins' talent for storytelling, and "The Garden," which features a beautiful acoustic guitar melody and evocative lyrics that paint a vivid picture of nature's beauty.

Table of Contents

Tracks

TrackDurationPreview
St. James Infirmary3:6
Fools Don't Stay4:01
Dog In My Backyard3:14
Fools Don't Stay4:1
Six Skinny Toes2:52
Iggy4:8
The Rooster5:0
Hold Still4:58
Soul For Sale3:15
A Good Man Is Hard To Find3:9
Soul for Sale3:15
Devil3:4
The Americans5:16

Images

last ned album MaryElaine Jenkins - Hold Still
lataa albumi MaryElaine Jenkins - Hold Still

Catalog Numbers

GCM0017

Labels

Good Child Music

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Formats

  • CD
  • Album
  • Stereo

Companies

RoleCompany
Phonographic Copyright (p)Good Child Music
Copyright (c)Good Child Music
Recorded AtGood Child Music Studios
Mixed AtGood Child Music Studios
Mastered AtKevorkian Mastering

Credits

RoleCredit
AccordionLawson White (tracks: 6)
Acoustic BassCatherine Popper (tracks: 2, 8), Dave Hassell (tracks: 1, 3, 4, 5, 6, 9, 10, 11)
Arranged ByMary Jo Stilp (tracks: 4)
ViolinMary Jo Stilp (tracks: 4)
MandolinMary Jo Stilp (tracks: 4)
Backing VocalsJamie Unruh (tracks: 5), Joe Rhoades (tracks: 3), Mary-Elaine Jenkins (tracks: 3, 5, 7), Thom Beemer (tracks: 2, 3, 4, 5, 6, 9)
CelloClarice Jensen (tracks: 4)
DesignRussell Howard
DrumsLawson White (tracks: 7), Thom Beemer (tracks: 4)
EffectsMaximus Beemer (tracks: 5)
Electric BassDave Hassell (tracks: 7)
Electric GuitarJJ Appleton (tracks: 2, 5), Mary-Elaine Jenkins (tracks: 7)
EngineerAlessandra Roubini
FiddleKen Shoji (tracks: 6, 9)
Mastered ByFred Kevorkian
OrganNoah Bein (tracks: 5), Thom Beemer (tracks: 8)
PercussionMary-Elaine Jenkins (tracks: 9), Thom Beemer (tracks: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10)
PhotographyPaul Storey
ProducerThom Beemer
Mixed ByThom Beemer
Lead VocalsMary-Elaine Jenkins
Acoustic GuitarMary-Elaine Jenkins
Resonator GuitarJJ Appleton (tracks: 1)
TromboneThom Beemer (tracks: 10)
ViolaMario Gotoh (tracks: 4)

Notes

  • Recorded at Good Child Music Studios and Beemer Studios - Brooklyn, New York
  • Mastered at Kevorkian Mastering - New York, New York
  • For syncs contact [email protected]
  • For press contact [email protected]
  • For all other inquires contact [email protected]
  • maryelainejenkins.com / goodchildmusic.com
  • ℗ © 2018 Good Child Music

Barcodes

  • Barcode: 6 91344 41327 6
  • Rights Society: ASCAP

About MaryElaine Jenkins

Mary-Elaine Jenkins is a 13th-generation South Carolinian; a member of a large, old, Southern family that could probably be considered a matriarchy. A product of her upbringing by a strong single mother amidst the canopy of her Lowcountry family tree, Mary-Elaine carries herself as if she had never left the humidity of the coast. But she did. First Washington DC, then Spain, and now Brooklyn. Venturing far from home, time and space removed from her roots have further distilled Mary-Elaine Jenkins distinctly Southern charm. Her maternal grandmother, Elaine, from Savannah, was a classically-trained soprano who briefly attended Juilliard in the 1940s, while her paternal grandmother, Ellen, was a librarian and an actress who could tell very dirty jokes successfully to people who didnt like dirty jokes. Such a heritage of strong, independent women endowed a young Mary-Elaine Jenkins with a resolve to pursue her passion - whatever it turned out to be. As a party to her younger life, Mary-Elaines father took it upon himself to introduce her to the guitar at the tender age of seven. The passion took. Progressing quickly with the instrument, Mary-Elaine became a regular at a local guitar shop, sitting in with a group of old-timers every Saturday afternoon playing old folk, country, and bluegrass songs, and eventually playing the Saturday night gig at the restaurant next door. The fire lit, Mary-Elaine took her leave. While pursuing her education and subsequent adventures, she fell in with a different crew of musicians at every stop along the way. These collaborations opened new dimensions to her writing even as the distance pulled her music back to South Carolina and the sounds of Saturday afternoons past. Finally arriving in Brooklyn in 2013, Mary-Elaine did the same as she always had, surrounding herself with a creative network that would eventually include producer / engineer Thom Beemer. Working together out of Good Child Music Studios, they were joined by Cat Popper (Ryan Adams), Lawson White (My Brightest Diamond, Tony Trischka), JJ Appleton, and Dave Hassell, to make a record as well traveled as it is rooted in the musical traditions of the Southern coast.
wardiy17

Summary by wardiy anto

Hold Still is a powerful and intimate album that showcases Jenkins' impressive range as a musician and songwriter. It's a must-listen for anyone who appreciates heartfelt, soulful music that speaks to the human experience.

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