Telemann, Ivan Ženatý - 12 Fantasien Für Violine Ohne Bass

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Artist: Telemann, Ivan Ženatý
Album: 12 Fantasien Für Violine Ohne Bass

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Filename: telemann-ivan-enat-12-fantasien-fr-violine-ohne-bass.zip
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Review by Brent Bernasconi

The album "12 Fantasien Für Violine Ohne Bass" by Telemann, Ivan Ženatý is a stunning showcase of the composer's virtuosity and Ženatý's exceptional talent. The album features 12 pieces of solo violin music, each one capturing the essence of the Baroque era.

The album opens with the lively and energetic "Fantasie No. 1," which sets the tone for the rest of the album. Ženatý's playing is crisp and precise, and he brings out the intricate melodies and harmonies of Telemann's compositions with ease.

As the album progresses, the listener is treated to a range of emotions and moods, from the melancholy "Fantasie No. 4" to the playful "Fantasie No. 9." Each piece is expertly crafted and beautifully performed, making for a truly immersive listening experience.

Table of Contents

Tracks

TrackDurationPreview
Fantasie Nr. 610:08
Fantasie Nr. 86:34
Fantasie Nr. 710:12
Fantasie Nr. 97:06
Fantasie Nr. 45:39
Fantasie Nr. 35:33
Fantasie Nr. 25:01
Fantasie Nr. 105:49
Fantasie Nr. 55:57
Fantasie Nr. 125:52
Fantasie Nr. 19:02
Fantasie Nr. 116:44

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Catalog Numbers

11 1033-1 132

Labels

Supraphon

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Formats

  • 2 × Vinyl
  • LP
  • Stereo
  • Gatefold

Companies

RoleCompany
Recorded AtDvořák Hall

Credits

RoleCredit
Composed ByGeorg Philipp Telemann
ViolinIvan Ženatý

Notes

  • Recorded by digital technique at the Dvorak Hall of the House of Artists, Prague from 15 June to 5 July, 1988
  • Inner notes In Check, English, German and French

Barcodes

  • Barcode: 8596911103319
  • Matrix / Runout (Side A): E 8819/A
  • Matrix / Runout (Side B): E 8820/A
  • Matrix / Runout (Side C): E 8821/A
  • Matrix / Runout (Side D): E 8822/A

About Telemann, Ivan Ženatý

German Baroque composer and multi-instrumentalist (14 March 1681, Magdeburg, Germany - 25 June 1767, Hamburg, Germany). Telemann was one of the most prolific composers in history and was considered by his contemporaries to be one of the leading German composers of the time. He was compared favorably both to his friend , who made him the Godfather and namesake of his son , and to , whom Telemann also knew personally. Telemann's music incorporates several national styles: French, Italian, and Polish. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles. As a child he showed considerable musical talent, mastering the violin, flute, zither and keyboard by the age of ten and composing an opera (Sigismundus, on a text by Postel). His family did not approve of his involvement in music, and upon his mother's insistence, he entered the University of Leipzig to study law in 1701. Within a year of his arrival in Leipzig he founded the student Collegium Musicum with which he gave public concerts (and which Bach was later to direct), wrote operatic works for the Leipzig Theater, and in 1703 became musical director of the Leipzig Opera and was appointed organist at the Neue Kirche in 1704. Needless to say, he dropped the study of law and pursued his career in music. Telemann held important positions in Leipzig, Żary, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. Throughout his life he composed a year's worth of cantatas for regular church services and 78 services for special occasions totaling 1,043 cantatas, 40 operas, 600-700 orchestral suites, 44 passions, along with numerous concerti, sonatas and chamber music for various instrumental combinations.

Real Name

    • Georg Philipp Telemann

Name Vars

  • C. P. Telemann
  • C.-Ph. Telemann
  • Friedrich Telemann
  • G Ph Telemann
  • G. F. Teleman
  • G. F. Telemanas
  • G. F. Telemann
  • G. P. Teleman
  • G. P. Telemann
  • G. P.Telemann
  • G. PH. Telemann
  • G. Ph. Teleman
  • G. Ph. Telemann
  • G. Ph.Telemann
  • G. Ph: Telemann
  • G. Phil. Telemann
  • G. Philipp Telemann
  • G. Telemann
  • G. Th. Telemann
  • G.-P. Telemann
  • G.-Ph. Telemann
  • G.F. Teleman
  • G.F. Telemann
  • G.F. Theleman
  • G.P Telemann
  • G.P. Teleman
  • G.P. Telemann
  • G.P. Telleman
  • G.P.H. Telemann
  • G.P.Telemann
  • G.P.ÆìÞó
  • G.PH. Telemann
  • G.Ph. Telemann
  • G.Ph.Telemann
  • G.Ph.೰njۼ
  • Georg Fhilipp Telemann
  • Georg Friedrich Telemann
  • Georg P. Telemann
  • Georg PH. Telemann
  • Georg Ph. Teleman
  • Georg Ph. Telemann
  • Georg Philip Telemann
  • Georg Philipp Telemann (1681-1767)
  • Georg Philippe Telemann
  • Georg Phillip Teleman
  • Georg Phillip Telemann
  • Georg Phillipe Telemann
  • Georg Phillipp Telemann
  • Georg Telemann
  • Georg-Ph. Telemann
  • Georg-Philip Telemann
  • Georg-Philipp Telemann
  • Georg. Philipp Telemann
  • George P. Telemann
  • George Ph. Telemann
  • George Philip Telemann
  • George Philipp Telemann
  • George Philippe Telemann
  • George Phillip Telemann
  • George Phillipp Telemann
  • Georges Philippe Telemann
  • Georges-Philippe Telemann
  • Gg. Ph. Telemann
  • Gg. Phil. Telemann
  • Giorgio Filippo Telemann
  • J. PH. Teleman
  • J. Ph. Telemann
  • J.-Phi. Telemann
  • J.Ph. Telemann
  • P. Telemann
  • Ph Telemann
  • Philipp Telemann
  • TELEMANN
  • Teleman
  • Telemann
  • Telemann G. P.
  • Telemann G.F.
  • Telemann G.P.
  • Telemann Georg Philipp
  • Telemann,
  • Telemann, G. Ph.
  • Telemann, Georg Philipp
  • Telemann:
  • Tellemann
  • Télémann
  • Τέλεμαν
  • Г. Телеман
  • Г. Ф. Гендель
  • Г. Ф. Телеман
  • Г. Ф. Телемана
  • Г.Ф. Телеман
  • Г.Ф.Телеман
  • Георг Филипп Телеман
  • Георг Фрідріх Телеман
  • Телеман
  • Ф. Телеман
  • ²ªë¯ûÕ£êÃ×ûÆìÞó
  • ÆìÞó
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Summary by Brent Bernasconi

"12 Fantasien Für Violine Ohne Bass" is a must-listen for fans of Baroque music and solo violin performances. Telemann's compositions are masterful, and Ženatý's playing is simply outstanding. Highly recommended.

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